JavaScript is disabled. The Friedman BE-OD overdrive pedal puts the intense tone of their BE100 amplifier onto your pedalboard. Exclusive deals, delivered straight to your inbox. Boom. 8 -10" speakers With adjustable horn Excellent working condition Comes with cover . Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. It's the one that really frustrates your neighbors and makes everyone in your house hate you. Trust me. : () . . These are two bona-fide classic dirt pedals that just happen to make beautiful tonal magic together. A Beginners Guide to Stacking Drive Pedals. one is all i need. If you have any questions about drive stacking or pedals, give your Sweetwater Sales Engineer a call at (800) 222-4700. By all accounts, this attempt was very successful, and the Blues Breaker remains a classic amp-in-a-box overdrive pedal. Klon Centaur; Horizon Precision Drive; Boss OD-1, SD-1; Analogman King Of Tone; Timmy Overdrive; Marshall Bluesbreaker MK1; The Kemper Drive recreates all of these sought-after overdrive tones, and at the same time, goes far beyond . Guitar volume knob cleanup varies from pedal to pedal, and some pedals coax your mind and fingers to work in different ways than others. These are my tried-and-true pedal stacking combinations, but I want to make it clear that these are not hard, fast rules. Our contender klones have modern surface-mount components, which facilitate automated production and keep list prices low. Oh okay, but if I leave the Klon on all the time after the OD, I won't have any pedal to give me a pure volume boost? But, that's just me.. "more sense in general" and guitar forums is an oxymoron, It might make sense to have the Klon closer to the guitar to take advantage of its buffer. YouTube and various guitar forums can be helpful when embarking on a stacking adventure, but the only sure fire way to determine if two pedals are going to play well in your rig is by hooking them up on your pedalboard, stomping on switches, turning some knobs, and listening. The reason I use the light gain overdrive is because I like having my first stage overdrive with no mid peak in it. And I think a lot of you guys would like it. These two pedals complement each other beautifully, with the Power Boost smoothing out the wild, hairy edges of the Muff, while adding some mid-range definition to help it penetrate the mix. The best part is that when I play these pedals together, they're going to be syncopated. IMHO the timmy sounds like a good pedal (not what Im looking for in a boosting/od effect) the KLON sounds like its part of your amp.. paul cochrane makes some nice gear man- had the tim (which is just a timmy with an effects loop).. the KoT gets alot farther that the tim got me in all aspects.. the klon is not worth the 6-7 they are going for on ebay but they are worth the 344 that bill sells them for!! Kino treebud 24F HSH Ash Trans Black. Despite its size, it's pretty damn versatile, thanks to three clipping options. I've often used this for big ambient slide parts with overdrive, and I have a knob setting that works great. They boost other effects and add a nice thing to the pick attack and note bloom when they are first. The overdrive is what I use 90% of the time, with my boosting being handled by an RC Booster. It may not display this or other websites correctly. I haven't had much luck with Klones and stacking with other dirt pedals. At the end of the day, I just want you to get your pedalboard and start stacking stuff, have fun, change the order, try some things out. (Adjust tone to taste.) Do your homework before buying. Now is the perfect time to get the gear you want with simple, promotional financing. Hi all, I'm recently going through an extensive upgrade of my pedalboard and I have come across a wide range of options when it comes to gain pedals and the more complicated issue of stacking. 62'RI Strat, ES335. I use Klon a lot for rhythm and solos, add Timmy to kick in more overdrive/distortion. Reactions: snarf. While the concept is simple, the details make all the difference. Gite d'etape communal le monastier sur gazeille. By Virginia. You have all kinds of builders doing that nowadays. This is a tone combo that almost every guitarist recognizes as the magic blend used by Pink Floyd's David Gilmour, most notably on the Dark Side of the Moon and Animals tours, and likely in the studio as well, during the recording of his first solo outing. I think this is going to help you be heard. MXR Timmy - street price $/129 If the waitlist and the enclosure size have been putting you off pulling the trigger on a Timmy, MXR has the answer, with this downsized take on the classic formula, approved by Paul himself. TS-style drives boost mids, taper highs and lows, and add some compression and a bit of clean, undistorted signal to the mix. Actually there are TWO of us saying that they are similar in sound. whats up with klons on ebay anyway GHEY the tim is the timmy with a boost and effects loop. Privacy Policy. Ha. Germany, Thanks for all the help. I put the Timmy as the last dirt in my chain, I think the unique EQ makes everything sound better. For those who just want to get down to business, however, or those who have other grown-up sorts of obligations that might prevent them from sitting around twiddling knobs for hours, there are a handful of proven pedal pairs that are widely known to stack nicely. Amwatts 1x12 Celestion Gold. Tuffi wuppertal wikipedia deutsch. Definitely try that in your rig. This has gobs of delay options. seems like an odd combo. I mostly play indie, punk, classic rock, pop, blues. Post-rock normally is associated with instrumental bands that deviate from popular song structure by building soundscapes and textures that reach crescendos and invoke emotions without vocals, or even speaking a word. Def keeping the OCD but 2 of the other three are gonna probably go off to Reverbland. If you want to add another tone to your board, look for pedals that will complement the tones you already have. I'm already in the possession of a TS808 and I'm (happily) running it into an OCDv2. It's also an inspiring creative exercise. Stacking overdrive/gain/boost/distortion/fuzz pedals can accomplish a variety of goals. Turn the volume up, and turn the treble up so the mids comp a little bit with the treble. You must log in or register to reply here. I can't say enough about it. Are you using one to drive the other? Both pedals have an external tab jack. Even in the simplest rigs, there are a lot of considerations. If youve never tried to stack drive pedals, you owe it to yourself to give it a shot. Ask a Luthier: What Do You Wish More Guitarists Knew About Their Instruments? To Fit. Tried and time tested legendary pedal Excellent condition Made In Japan by Ibanez Fully tested and work as it should. Some fuzzes, for example, get too dampened and muddled by the inclusion of other dirty tones. Of course, those who want this tone need not shell out the absurd amount of money necessary to procure an actual Klon Centaur, as there are tons of excellent and affordable "Klones" that will do the job very capably, including Electro-Harmonix's very tasty (and very economical) Soul Food. This next one has been around for a while, since before people even started stacking pedals. NoI'm referring to the fact that in a side by side comparison, with the same guitar, plugged into the same amp, with the EQ set flat, the overall gain structures of each pedal from clean to max have a nearly identical tonal signature and response/feel. Designing a pedal had been on the docket for Dr. Z Amplification for a long time, but the idea only came to fruition when Dr. Z joined forces with EarthQuaker Devices'Jamie Stillman to build the Dr. Z Z-Drive. See giveaway details & rules or check out our past winners! Seller assumes all responsibility for this listing. When you combine two boost pedals, in a sense it does the same thing, but you get infinite tweakability. i tried stacking overdrives but i didnt like it too much. We take that first stage that's clean, transparent, no mids, and add something with a ton of mids. This website uses cookies to improve your experience. Canyon Guitars 360-701-8795 12829 Pacific Hwy SW. Lakewood, WA. Timmy. . I really like my TS into my OCD. It may not display this or other websites correctly. Theres one at my local GC for $50. One of the nice things about stacking delays is that it involves less trial-and-error than dirt stacking experiments typically do, because most delay pedals will play together nicely without much prompting. Too much gain or level can cause excessive hiss or hum, handling noise, weird EQ, and compression, and it can actually make your sounds seem smaller. To learn more about our cookie policy, please visit our Privacy Policy. Lace pick ups Gold powered by an active MDX mid-boost circuit with 25 dB of gain and TBX tone controls, Gold hardware. A setting that works well on its own might not be the best setting when stacked. Here are a handful of perfect pedal pairs for creative tone stacking. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. 66one. If your tone is fine, but a bit dark, consider trying a boost. Myself? There is a clear top-end chime and warmth in the midrange. So, heres how I get it done: I take a delay (any delay will work, but I really like the Diamond Memory Lane Jr) and I set it to a faint, but almost strong quarter note echo. The Big Muff has plenty. Tim Pierce Premier Guitar Rig Rundown. You let one run quarter notes, and the one after it runs dotted eighth notes. Play a chord with the pedal off. Responsive controls let you dial in a wide. It ensures the correct amount of power goes to your tip-negative keyboards and electronic devices. im not challenging you to do anything man.. simply said- call paul and bill ask them what their circuits are based on. I like the Death by Audio Fuzz War, just because it sounds as big as the case looks.**. Fully cleaned and lubed with Deoxit Does not include factory box or power supply Thanks for looking and stay safe out there! I thought you were having OCD problems with this Im currently using a Wampler Ecstasy on light almost clean drive. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more. Try adding gain with only one pedal at a time and dont be afraid to defy conventional arrangements by switching your pedal order around. This gives you a darker, quicker initial echo that suddenly morphs into crystal clear repetitions, an effect which I personally find very enchanting. You may already own something that does this, so don't feel the need to run out and buy something new. Plus you can add in the tremolo. It's fantastic and infinitely tweakable and great for people who like to try different styles of overdrive sounds, and who really want to try something other than a Tube Screamer. Has CTS push-pull pots, Pushed is parallel (P90 sound), pulled is series (humbucker) both noise canceling. Based on your location, we've changed your settings: By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. JavaScript is disabled. With a three-decade career as a professional guitarist in Nashville, Tennessee, Sweetwater's Don Carr has a long list of album credits in multiple genres of music. The tone stack on the Timmy is excellent. The Stack section of the Kemper Profiling Amplifier consists of the profiled amplifier, equalizer and cabinet. Quarter Note + Dotted Eighth = Rhythmic Dual Delay. A lot of you guys might not realize that some overdrive circuits are simply gain stages cascading into each other. Today, were putting together some truly great pedal stacking combinations. My favorite pedal combination for this maneuver is a warmer, murkier analog delay, like the MXR Carbon Copy, running into a cleaner digital delay, like the Boss DD-3. So, the Big Muff doesn't have any mid frequency peak at all. By continuing to use Reverb, you agree to these updates, and to our cookie policy. so its nice that you think you know what you are talking about mr 'ive worked in fields.'. That doesnt mean its not a good pedal, but its a good thing to know before you buy it. And now Im out getting a 12 string simulater, by the time I get home it'll be to late to try. Is there any better bang for the buck in a new guitar than this. Listen to the EQ differences in the two sounds. To reflect our commitment, we updated our terms and conditions. Turn your old gear into new gear with the Sweetwater Gear Exchange! For our purposes, you need to know, for example, that some drive pedals work better with some amplifiers than others. Stacking dimed drives often results in tubby, indistinct tone. As for those that have a contrary opinionI can't do anything about your tin ears, which is what you would have to have to make the claim that these pedals sound nothing alike. Based on the Klon Centaur, somewhere between Transparent and TS-style. The RF is an efficient speaker and leaves very little of your amp's output behind when played. Now, here's the trick. I just got a Timmy for a steal and was trying to figure out how to fit it in with my Klon. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. I've worked in fields where I was required to hear very minute differences in audio signalsI trust my earsand the people who paid me put them to the test and found that they could trust them as well. Working the gain knobs of both pedals can get you into some pretty glorious overdrive, especially through a good tube amp (even moreso if it's set on the edge of breakup). Designed to replicate the characteristics of a specific amp. Noted pedal-design 7 Cool Listings This Month on Gear Exchange. Fuzz + Tube Screamer = Fuzz That Cuts Through The Mix. They probably were referring to the fact that the Timmy can be set for a clean boost. A common scenario is a clean amp with a light gain pedal followed by a heavier gain pedal. With even EQ spectrum, based on Bluesbreaker, etc. For a better experience, please enable JavaScript in your browser before proceeding. There are a number of interesting ways to set these delays up to complement each other, but the most common method is probably to set the Carbon Copy for a shorter slapback sound, while setting the DD-3 for a longer delay time and extended repeats. Thanks! Some people use a Tube Screamer. TDPRI, short for Telecaster Discussion Page Reissue, is the leading online community and marketplace for Telecaster guitars. Maybe a certain pedal simply does not play well with others. Gives me 80s NWOBHM tones all day, Strymon OB1 (compressor includes clean boost as a 2nd footswitch) -> MXR Distortion III -> Blues Driver. Youve got to keep the modulation and the effect level of this kind of low. Know What You Have, Decide What You Need Next. Besides the obvious bump in volume, many boost pedals like the ZVex Super Hard-On round out dull tones by adding a sparkling sheen to the top end. A boost will also typically color the tone less than an overdrive, IME. The first and most important stacking method that I use and have always used is taking a light gain overdrive, like the Morning Glory, and stacking it with a Tube Screamer. The Tumnus will be perfect for most of the songs I play with its clearer low dirt sound, but I will need slightly more distortion for a few heavier songs my band plays and also I would like the extra push for my solos to cut through. Any suggestions would be greatly appreciated as to which order makes more sense in general. There are some other options that are affordable and awesome: the Tumnus by Wampler, the Archer by Rockett Pedals, and the Sacred Cow by Mojo Hand FX. I'm a true fan of stacking overdrives. In truth, just about any low-gain, gently mid-focused boost or drive pedal should do the job in this scenario if set up correctly. Reddit and its partners use cookies and similar technologies to provide you with a better experience. There are a vast array of drive pedals on the market, and with a little forethought and experimentation, there is almost no limit to the types of tones you can achive. ~ Ludwig Gretsch Noble Cooley Tama Yamaha Pearl DW Sonor Uad, Apollo, ssl, neve, 1073, tube tech, Neumann, pro tools, logic, mpc, moog, Manley, empirical labs Drum . Luxe bidet neo 120. Fuzz pedals add a different color palette to your overall sound but function in pretty much the same way as any other drive pedal. So I crank the drive knob up to 75%, I put the treble/tone control at noon, and then I adjust the volume accordingly, and I have a beautiful second stage breakup that's rich and full of mids. Clavey paddle sports petaluma blvd s petaluma ca. I personally like klons early on before other pedals. I mostly use the amps in church, at home I'm using an Ac4tv. Starting with a clean amp sound will offer more variety and flexibility if youre stacking gain pedals; the differences will be more audible. Also, personal experience and popular opinion both suggest that putting the Screamer first is the best way to stack these two pedals, but that should not discourage you from trying it the other way as well. Obviously, there are endless ways to stack guitar pedals. CSP027 TIMMY OVER DRIVE. The trick, though, is to make it work well. Some of the add-ons on this site are powered by. But that's why we play guitar, right? Will keep the Katana though. Youll definitely have fun, and you might even find your new favorite sound. Cranking the gain and volume too high on either pedal will result in a farty, muddy tone that you probably won't find very pleasing. Good Luck! Whew! For instance, lets say that youre playing with a clean amp and have a pedalboard whose dirt section includes a Tonebender fuzz, a Fuzz Face, a Supro-like overdrive like a Bearfoot Honey Beest or a Greer Ghetto Stomp, and a Marshall-in-a-box distortion like the ZVex Box of Rock. Lol. So, Big Muff into a Tube Screamer. It does not nail the klon nor is it suppose to. If you want to see the reason this is cool, turn the drive knob up. Stacking experiments are a wonderful way to come up with new, interesting sounds, potentially leading you to write new music, play guitar in a way you haven't before, or even find your signature tone. Below are a few hints to help you expertly wade into the exciting and very-wide world of dirt stacking. I could have taken one of any 40 boosts and put it somewhere in this two pedal setup and change the entire overdrive sound for this setup. When I tap the tempo on one, both of them sync up, with quarter notes and dotted eighths. Hi thanks for your replies. though it probably wouldnt pair with my guitar and amp very well according to the research Ive done. To figure out what your pedal sounds like, try these steps: Start with the EQ controls set to flat (typically 12:00). eBay item number: 304918709122. #3. Molecular geometry shapes and . The Caverns by Robert Keely has a modulating reverb setting and a delay. I actually like octaves that are a little more glitchy that don't track as well, because the pedals that are technically bad sometimes sound really good. I get asked about it a bunch but I plead the fifth. Jul 13, 2017. From there I have three options to pick and choose from depending on the kind of dirty sound . A Sweetwater Sales Engineer will get back to you shortly. Many players seek transparent overdrives like the Timmy, the Himmelstrutz Fitzo or the Hungry Robot to add gain but not additional EQ to a more uniquely voiced overdrive. The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. The Klon Centaur was first released in 1994, and production of the pedal continued until 2009. You are using an out of date browser. well theres ONE of you saying that they are 'tonaly' the same and about 5 of us saying that they are made to do somewhat similar things but they are not compairable in anyway. Thats a rule. Price to sell look it up Reverb this one is really in mint condition kill switch and all. So the VLSDM stayed on my "light" board. Blonde & Brown Z's sound best!! the are different circuits geared towards COMPLETELY different sounds-. Most recognizable dirt tones and many amplifiers heck, entire setups can be recreated simply by combining a few drive pedals together and learning how to make them mesh well. Strat Talk is the leading online community and marketplace for Stratocaster guitars. You must log in or register to reply here. You can make the screamer side of this cleaner and get kind of a transparent sound, and then the distortion side definitely has heavy mids. This is a shredding machine. It is a little dark, especially with humbuckers, so I use the tim to take away a bit of bass sometimes, and it helps the pedal cut through better. Octave + Fuzz = Massive Wall of Riff Rock. I typically like to keep each pedal's volume around unity (perhaps slightly higher on the Tube Screamer), with gain at about noon on the RAT, and at about 9 or 10 o'clock on the Screamer. Please check the fields highlighted in red. I use a JHS Morning Glory V4 but you've got options.
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